DIRECTOR'S STATEMENT:
My mother and father immigrated to the United States just prior to my birth in 1976. My father's
migration to the United States undoubtedly changed him - his identity seemed to split. He had one
foot in Taishan, the village of his birth and the other in Boston, his new home. He encouraged my
brother and I to be "Americans", but never let me forget that we were Chinese. Aside from speaking
Cantonese, life in our small urban apartment was full of recipes and remedies from "home." It was
also full of stories; my father told us over and over again how he escaped the communist regime,
swimming a channel and risking his life for the freedom America promised. I will never forget the
many times we were reminded of how we were the lucky ones in the family, the ones who "got out"
and had the opportunity to create better lives for ourselves.
Unfortunately, these stories were falling on deaf ears. I was so swept away in trying to fit in
and be American, that I lost my desire for a Chinese identity. Matters were only made worse when
I turned twelve and my parents brought my brother and I to the "homeland" for a visit. My teenage
eyes saw a family living in poverty. They ate even stranger foods than we ate in Boston. They
didn't watch television like I did. They didn't play the same games. I couldn't wait to get
back to the United States. Until now.
As I've gotten older, my quest to fit in has been replaced by my desire to rediscover my origins.
My curiosity about my heritage has finally matured. And what is most astonishing is how much
China has changed in such a short period of time.
China is no longer a country of poverty and oppression. My extended family still living there is
an example of the many new successes that have become the norm. They have a successful shipping
company that has quadruped in size this past year and have started purchasing real estate in
Hong Kong. My aging father works tirelessly in Chinese restaurants in Boston to scrape by while
"the ones who stayed behind" are enjoying opportunities unimaginable even a few years ago.
The questions this raises for me are endless. During my entire childhood, I never really could
comprehend the impact of my father's migration. But now, somewhere, deep inside my being, I am
only beginning to understand why my father's migration, like so many other Chinese migrations,
help shape Chinese identity and the Chinese Diaspora. I am curious and fascinated by the movement
of culture from one region to another and how this effects identity and leads to even more changes
within a society. Did my father's migration inspire my relatives to live more freely? How will
the migrations of ethnic Chinese to Tibet influence their respective cultures? How does the
influx of a million rural farmers change Beijing? And what does it do to the farmers and their
families? And why, does this influence me - half a world away, struggling with what it means
to be Chinese?
With limited knowledge about my ancestral homeland, this project is a great opportunity for me to
deepen my understanding of my own identity and heritage. Since one of the stories in the film will
chronicle my father's return to a very different China, the film is autobiographical and will
reveal intimate moments that convey the identity of my own family. This film project is layered
with my own struggle of understanding my own identity and place in the world.
As a Chinese-American filmmaker with substantial experience making documentaries in international
settings, I bring the necessary skills, knowledge, and passion to this endeavor. I hope to explore
the values that make up the Chinese identity. Illustrating the dynamics and diversity of life in
modern day China, the film's subjects will serve as a prism through which to view the shifting
cultural and social landscape in which they live.
| START DATE: |
July 15, 2007
|
| STATUS: |
Pre-production
|
| FORMAT: |
DVCPRO HD, NTSC, 16x9
|
| LENGTH: |
90 Minutes
|
| LANGUAGE: |
Chinese with English Subtitles
|
| COMPLETION DATE: |
Spring 2009
|
| LOCATIONS: |
Hong Kong Taishan, Canton Shanghai Tibet Beijing
|
| FUNDING: |
Kenneth Eng 2007 Guggenheim Fellow
|
POTENTIAL FUNDING SOURCES & GRANTS: |
Sundance Documentary Fund The Jerome Foundation National Geographic All Road's Seed Grant The Ford Foundation NEA NEH Private Donors
|
| DISTRIBUTION: |
TV/Theatrical/Educational/Film Festivals Amazon.com Netflix All Rights Available
|
| CONTACT INFO: |
Melanie Blair, producer (
)
Takayo Nagasawa, producer (
)
Meng Xie, producer (
)
Kenneth Eng, director (
)
|
|